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c. 1445 – May 17, 1510. Italian painter.

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Nicolas Froment
Resurrection of Lazarus inner side of the left wing: Christ and Holy Martha

ID: 88195

Nicolas Froment Resurrection of Lazarus inner side of the left wing: Christ and Holy Martha
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Nicolas Froment Resurrection of Lazarus inner side of the left wing: Christ and Holy Martha


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Nicolas Froment

French Early Renaissance Painter, ca.1430-1485   Related Paintings of Nicolas Froment :. | King Rene | Portrat des Konig Rene von Anjou und seiner Gemahlin Jeanne de Laval | Resurrection of Lazarus | Moses and the Burning Bush (mk08) | Triptych |
Related Artists:
Jakob Issaks Swanenburgh
1571-1638
francois couperin
was a French Baroque composer, organist and harpsichordist. François Couperin was known as "Couperin le Grand" (Couperin the Great) to distinguish him from the other members of the musically talented Couperin family.
BRUEGHEL, Pieter the Younger
Flemish painter (b. 1564, Bruxelles, d. 1638, Antwerp). Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544-1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On November 5, 1588 he married Elisabeth Goddelet, and the couple had seven children. He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel". Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque.






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